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Showing posts from April, 2017

Painting knives and brushes

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Brushes are great, but they can feel a bit obvious: we've all seen (and made) paintings in which you can tell exactly which type of brush was used and what width it was; flats are particularly distinctive in a painting.  While I do try to vary the type of brush that I use: flats,  filberts, and rounds, and the type of bristle: synthetic or natural; soft or stiff, I still feel that all of the marks clearly say "brush" and that the colour is sometimes less clean than I'd like.  So the painting knife has become a bigger part of my work.  
I've mentioned this in a previous blog, I know, but I thought that this in-progress still life had a good example of the difference between brushes and knives in alla prima painting.  
The bowl of water below was painted with brushes.  I left a space open for the clean swipe of pale green because I couldn't achieve such a high key, clean area if I'd been layering over another colour wet in wet.  
You can see that the marks…